Friday, July 19, 2024

New documentary explores modern design

Posted by Elena del Valle on July 17, 2024

Modernism, Inc.

Modernism, Inc. poster

Photo (and screener): First Run Features

Using archival footage and interviews Jason Cohn explores post-war design and Eliot Noyes, one of the leading figures of the modern design movement, in Modernism, Inc., a 79-minute documentary from Bread & Butter Films and First Run Features. The documentary was made possible by funding from the National Endowment for the Humanities, IBM Corporation, The Better Angels Society, Jeannine and Jonathan Lavine (through the Library of Congress) and the Noyes Family. His adult children are among those interviewed.

The film, narrated by Sebastian Roché, is scheduled to open in New York on July 19, 2024 at IFC Center and in Los Angeles on August 9, 2024 at Laemmle’s Royal. Cohn plans to appear in person at both openings.

Per the film Noyes, an architect born in 1910, was one of the leading pioneers of modern design during the mid-century, post-war boom in the United States. Educated by Walter Gropius at Harvard, Noyes, according the the film, “did more than anyone to align the Modernist design ethos to the needs of ascendant corporate America.”

The film follows his impact on residential architectural design as well as on companies like IBM and Mobil Oil, and the International Design conference. That influence, the film proposes, reached many in the business community open to the up and coming ideas about the role and importance of design. Some pointed out that he also became the symbol of design’s close ties with corporate America and its excesses. Noyes passed away in 1977.

Cohn was writer, director and editor for the film. Camille Servan-Schreiber was producer. Kevin Jones also edited. Steven Emerson was the music composer.


Emotional Basque film focuses on mother, daughter relationships

Posted by Elena del Valle on July 10, 2024

Cinco Lobitos
Cinco Lobitos poster

Photo (and screener): Outsider Pictures

Outsider Pictures and Latido Films to release Lullaby (Cinco Lobitos), an emotionally charged 104-minute film in Spanish and Basque with English subtitles, in the United States. It is scheduled to open as part of Outsider Pictures showcase of Latin and Spanish films that can be viewed either individually or as a group of five films screened at Cannes, San Sebastian, and Berlin.

According to promotional materials the films will be screened individually in rotation each day of the week, and can be seen separately or by purchasing a pass to attend all films. This collection is scheduled to open at the Cinema Village in New York on July 19, and the Laemmle Royal in Los Angeles on July 26.

In Lullaby new mother Amaia appears overwhelmed with her maternal role. After a false alarm while her partner is away for several weeks for work, she goes to her parents’ house in a coastal village in the Basque Country. They help her with the baby and she in turn is forced to assume added responsibilities when unexpectedly the situation changes.

The 2022 film stars Laia Costa (Amaia), Susi Sanchez (Begoña), Ramon Barea (Koldo), and Mikel Bustamante (Javi). According to promotional materials Lullaby, written and directed by Alauda Ruiz de Azua, was nominated for 10 Goyas. Filming appears to have taken place in Madrid, Bilbao, Bakio and Mundaka.

Spanish film explores lifestyle, friendship, miscarriage

Posted by Elena del Valle on June 26, 2024

You have to come and see it
You have to come and see it

Photo (and screener): Outsider Pictures

In the film You have to come and see it (Teneis que venir a verla) director and writer Jonas Trueba follows two couples in their thirties, their discussions as couples and as friends. The story begins in Madrid, where the two couples go to see a show. One couple rejoice in their new home, on the outskirts of town and close to the countryside. Then they announce that she is pregnant. Months later the other couple takes the train to visit them in their home.

The slow paced 64-minute film from 2021 is in Spanish with English subtitles. It will open in the United States as part of Outsider Pictures showcase of Latin and Spanish films that can be viewed either individually or as a group of five films screened at Cannes, San Sebastian, and Berlin.

According to promotional materials the films will screened individually in rotation each day of the week, and can be seen separately or by purchasing a pass to attend all films. This collection is scheduled to open at the Cinema Village in New York on July 19, and the Laemmle Royal in Los Angeles on July 26.


Argentina writer pens Buenos Aires vampire novel for US readers

Posted by Elena del Valle on June 20, 2024

Thirst cover


Photos: Dutton, Anita Bugni

This year Dutton released Thirst (Dutton, $28), a 241-page hardcover fiction title, in English and Spanish in the United States. Written by Argentina born Marina Yuszczuk the vampire horror novel is set in early colonial Buenos Aires, Argentina. Heather Cleary translated the book. The author replied to questions by email via her publishing company publicist. The translator replied to questions via email.

When asked, with so many vampire novels already in print what inspired her to write Thirst she replied: “Well, precisely: I was inspired by thirst, which is endless. I had the desire to write about a vampire when an image materialized in my mind. I sensed I could bring a new perspective because this was a very specific image, set in Cementerio de la Recoleta in the XIXth century Buenos Aires. There are practically no vampires in the Argentinian literary tradition, and even horror is not a widely cultivated genre in my country. On another, more personal level, the urge to dive into such an erotic, sensual topic was irresistible.”

When asked about her primary target audience (in general, in the United States, and for the English edition) she replied: “First of all, I suppose, readers like myself who became fascinated with gothic literature as teenagers, who spent long hours of loneliness reading in their bedrooms with the door locked and developed a secret life, much like the heroes and heroines of gothic stories. I also believe—and this has been the case in Argentina—that Thirst is a vampire novel that can appeal to readers who are not used to reading vampire novels, or even horror. And I have to say, as I am myself a cinephile, I think this will appeal to horror movie fans, because vampire movies are in the very heart of Thirst.”

Regarding her biggest challenge in relation to the translation she said, “The biggest challenge in relation to the translation was getting editors in the US to read it, I guess! But that was my agent’s work, and she was brilliant. Then, of course, one aspect of the translation in which translator Heather Cleary and I worked very carefully was the specific scenario of XIXth century Buenos Aires with its particular mixture of colonial, French, and Italian architecture—a rather small town soon to become a modern, cosmopolitan city.”

Marina Yuszczuk

Marina Yuszczuk

When asked about her goal and how she  measures success she said: “I don’t think writers have goals other than to be able to keep on writing, and it is that necessity that makes us care about success, if we ever do. For me, success is the possibility to secure the writing of my next novel.”

Regarding next projects the author said, “I have already written two more novels after Thirst. One of them, Para que sepan que vinimos, was published in Argentina in 2022, and it’s a ghost story centered on the relationship between a grown-up daughter and her deceased mother. I just finished another novel, a gothic story set in a science museum in the last decades of the XIXth century.”

When asked “How did you decide on the cover art?” and “Who designed it?” she replied “The design team at Dutton did the cover art for the US edition, and I think it’s perfect—just the right mix of red, pink, the sensuality of the female body and the luxurious funerary art of past centuries.”

Yuszczuk, born in 1978, is founding editor of Rosa Iceberg, a press focused on publishing writing by women. She is the author of multiple books of poetry, short-story collections, and novels. She has a Ph.D. in literature from Universidad Nacional de la Plata and is a film critic for an Argentina newspaper. Thirst is her first book to be published in the United States.

Heather Cleary

Heather Cleary

“The greatest challenge, which was also one of the things I loved most about translating Thirst, was creating two distinct voices—one is sensual, gothic, and grounded in the nineteenth-century, while the other is very contemporary and more cerebral, in the sense that the character is presented through her diary entries, where she explores her inner world in detail,” said Cleary when asked what the greatest challenge the translation posed. “Marina’s Spanish provided a crystal clear model for how this should work, but rendering these tones and atmospheres with the different set of linguistic tools that English provides required careful attention.”

When asked if translating Spanish from Argentina differs from Spanish from other countries she replied, “Yes, in the sense that Spanish is different from country to country (and within countries, for that matter). But no, in the sense that the process of translation, wherever the Spanish is from, involves first understanding those differences and working with that as a baseline. For this project, it helped that I lived in Buenos Aires for nearly two years—in the same neighborhoods frequented by the characters, actually—so it was easier to distinguish between expressions that are often used colloquially and phrases that diverge from typical speech and should be treated more poetically.”

When asked if there was something she liked or that stood out in particular she replied, “I love the complexity with which Marina portrays female desire, which includes sexual desire but also so many other forms: the desire for professional success, for solitude within the responsibilities of caregiving, for connection with family and friends, and so on. This, and the textures of the relationship between the modern narrator and her dying mother (and also her relationship with her young son), make this book truly exceptional.”

Cleary’s work has been recognized by the National Book Foundation and the Mellon Foundation. She teaches at Sarah Lawrence College. She is the author of The Translator’s Visibility: Scenes from Contemporary Latin American Fiction.

Cambridge scientist explores aging

Posted by Elena del Valle on June 5, 2024

Why We Die

Why We Die

Photo: Harper Collins Publishers (William Morrow)

In Why We Die The New Science of Aging and the Quest for Immortality (William Morrow, $32.50) Venki Ramakrishnan, co-recipient of the 2009 Nobel Prize in Chemistry (for his work on the structure of the ribosome) and former president of the Royal Society, explores human mortality in a science and research oriented and thought provoking book.

In the book he asks what purpose we serve once we pass our reproductive years. Why do grandparents exist, he asks, for example. He explains that in the causes of aging known to date the processes are so interlinked and complex it’s difficult to separate causes and effects.

He wonders if living forever would be a good thing. He zeroes in on scientific research that has caught his attention from among many studies. And he presents the case that there would be social and ethical costs of attempting to live forever.

The 310-page book published in 2024 is divided into 12 chapters. Ramakrishnan leads the research team at the MRC Laboratory of Molecular Biology in Cambridge, England.

Bittersweet Argentinean romance released in theaters

Posted by Elena del Valle on May 8, 2024

Adiós Buenos Aires poster
Adiós Buenos Aires poster

Photo: Outsider Pictures

Adiós Buenos Aires, a 90-minute film from Betacinema and Outsider Pictures, opened in theaters May 3, 2024 in New York. On May 10th it is scheduled to open in Los Angeles at the Lammle Royal, and in Miami at the Coral Gables Art Theater. The 2022 film is in Spanish with English subtitles.

Inspired by real life events in Argentina in 2001 the film follows the stories of a struggling five member working class tango band and its members during a severe crisis in the South American country. It was directed by Buenos Aires born German Kral, who moved to Germany where he graduated from the Munich Film School.

The romantic center of the story is Julio Färber (Diego Cremonesi), the bandoneon player of the Vecinos de Pompeya, and Mariela (Marina Bellati) a briny taxi driver who crashes into his car. Although he has decided to leave his country for a better life in Germany one event after another, including frozen bank accounts nationwide and rioting in the streets, challenge his plans.

The screenplay by Stephan Puchner, Fernando Castets and Kral, was inspired by the real tragic events that shook Argentina in late 2001. According to promotional materials “The government froze all the country’s bank accounts from one day to the next, which became known in Argentina as the Corralito (little stall). Three weeks later, the December 19 and 20 pot-banging protests in the streets brought down the government at the time.”

Kral has worked as a film writer and director, dividing his time between Munich and Buenos Aires. Kral worked with Wim Wenders between 1993 and 1996 on the film Die Gebrüder Skladanowsky (A Trick of the Light). His graduate film Imágenes de la Ausencia (Images of the Absence) was nominated for the German Grimme Prize in 2001 and won First Prize at the Yamagata Film Festival in Japan in 1999, and the Young Bavarian Documentary Film Award in 2000.

Author explores society and shame in new title

Posted by Elena del Valle on April 17, 2024

The Shame Machine
The Shame Machine

Photo: Penguin Random House

In The Shame Machine Who Profits in the New Age of Humiliation (Crown, $27), Cathy O’Neil, known for her previous book Weapons of Math Destruction, and Stephen Baker discuss their beliefs about shaming in society, especially via social media, and its effects on those targeted. The authors point to obesity, gender identity, possible body odor, addiction, poverty, political views, incels and hikikomori (a form of recluses in Japanese society) and age among the favorite subjects of those who shame people.

They say in that book that although shame may at times be used for social benefit, such as during the early years of covid to shame people into wearing masks and being vaccinated with an experimental vaccine, and to correct injustice; they believe it has increasingly become weaponized as a means to belittle the more vulnerable in society. They point to corporations, in particular Google and Facebook, and social media as the ultimate financial beneficiaries. In the case of hikikomori the financial motives may be less obvious although there are businesses dedicated to removing the recluses from the midst of their families, for a fee.

Most of us, the authors say in the chapter on humiliation and defiance, even if we are unaware, are likely to participate in shaming events. In the chapter on punching up they explain that punching up works when there is a choice and a voice. In that same chapter they explain that “shame is a toxin.”

They believe everyone should look at every aspect of life from the perspective of shame. They favor reparations for past wrongs. In lieu of shaming they propose an innovative approach to addiction: offering addicts a financial reward to visit methadone clinics; and giving money to the poor with no strings attached. A source of funding for these ideas was not evident.

The 255-page hardcover book published in 2022 is divided into 10 chapters in three main sections: Industrial Shame, Networked Shame and Healthy Shame. According the biography in the book O’Neil founded an algorithmic auditing company. In one case described in the book the work of her company (she was approached as an expert in “algorithms and crime risk scores) resulted in the release of a sexual predator convicted of raping an elderly woman. O’Neil wrote or co-wrote Doing Data Science and On Being a Data Skeptic.

Podcast with Howard S. Dvorkin, CPA, chairman,, about financial emergencies

Posted by Elena del Valle on April 1, 2024

Howard Dvorkin, CPA, chairman,
Howard Dvorkin, CPA, chairman,


A podcast interview with Howard Dvorkin, C.P.A., chairman,, is available in the Podcast Section of Hispanic Marketing and Public Relations, During the podcast, he discusses financial emergencies with Elena del Valle, host of the podcast.

According to his bio Howard focuses his professional endeavors on consumer finance, technology, media, and real estate industries creating in addition to, Consolidated Credit, PowerWallet, Start Fresh Today and Lifestyle Magazines; and is also the Chairman of the Board of FlexShopper, Inc.

According to his bio he has played an instrumental role in drafting state and federal legislation, was a consultant to the Board of Directors for the Association of Credit Counseling Professionals (ACCPros) and is the past president of the Association of Independent Consumer Credit Counseling Agencies (AICCCA).

To listen to the interview, scroll down and click on the play button below. It is also possible to listen by looking for “Podcast” then select “HMPR Howard Dvorkin, CPA” and download the MP3 file to your audio player. You can also find it on the RSS feed. To download it, click on the arrow of the recording you wish to copy and save it to disk. The podcast will remain listed in the April 2024 section of the podcast archive.

Podcast with Brooke Goff, CEO, Goff Law Group about smashing working mother stereotypes

Posted by Elena del Valle on March 11, 2024

Brooke Goff, CEO, Goff Law Group

Brooke Goff, CEO, Goff Law Group

Photo: Goff Law Group

A podcast interview with Brooke Goff, chief executive officer, Goff Law Group, is available in the Podcast Section of Hispanic Marketing and Public Relations, During the podcast, she discusses smashing working mother stereotypes with Elena del Valle, host of the podcast.

Brooke is also the founder of Goff Law Group, a woman-owned and operated personal injury law firm. According to her bio she is on “a mission to ensure that mothers in the workplace celebrate their life-changing milestones without having to sidetrack their careers;” and she seeks to be an inspiration for girls and a strong advocate for women.

According to her bio the 37-year old entrepreneur from Connecticut, made history by becoming the first female football player at her middle school, becoming the first openly-gay lawyer in her state and opening the first all woman law firm.

To listen to the interview click on the play button below. It is possible to listen by looking for “Podcast” then selecting “HMPR Brooke Goff” and downloading the MP3 file to your audio player. You can also find it on the RSS feed. To download it, click on the arrow of the recording you wish to copy and save it to disk. The podcast will remain listed in the March 2024 section of the podcast archive.

New documentary zooms in on events of 1979 nuclear plant accident

Posted by Elena del Valle on February 21, 2024

Radioactive poster and director

Radioactive poster and director

Photo: First Run Features

A new documentary, uplifting, inspiring and distressing, about the 1979 Three Mile Island, Pennsylvania nuclear power accident and the events that followed was released in theaters December 2023. It is due to become available on DVD and via Apple TV and Amazon streaming next month. Radioactive: The Women of Three Mile Island, from Three Mile Productions, shines a light on the “never-before-told” stories of four homemakers who take their community’s case against the plant operator to the Supreme Court as well as the story of a young woman journalist.

The 77-minute documentary consists of archival video and modern day interviews with some of the women who lived in the area at the time and others. The film features activist and actor Jane Fonda, whose film, The China Syndrome (a fictional account of a nuclear meltdown), opened 12 days before the real disaster in Pennsylvania. It also breaks the story of a “radical new health study” seeking to uncover the truth of the meltdown. According to promotional materials, for more than forty years, the nuclear industry “has done everything in their power to cover up their criminal actions” and insisted that “No one was harmed and nothing significant happened.”

According to the film in April 1979 a government commission studied the accident and concluded that although it was the fault of the nuclear operator no humans had been harmed. In the film Mary Olson, founder, Gender Radiation Impact Project, says “Radiation is ten times more harmful to young females than to Reference Man and 50 percent more harmful to comparable females.”

Heidi Hutner, the director, via a publicist, declined to be interviewed or to answer questions about the documentary. According to promotional materials for the documentary it won: Audience Award – Best Documentary at the Dances With Films Festival, New York City; Best Director and Best Documentary at the Full Frame International Film Festival, New York City; and Best lnvestigative Documentary at the Uranium International Film Festival, Rio de Janeiro.

Hutner is also the writer and producer of the film. According to promotional materials, she is professor of Environmental Humanities and Gender Studies at Stony Brook University, and a “scholar of nuclear and environmental history, literature, film, and ecofeminism;” and she is the winner of Sierra Club Long Island’s 2015 Environmentalist of the Year Award.